Five Feet Apart Book Quotes and Movie Trailer MUST WATCH MOVIE!

Five Feet Apart Book Quotes and Movie Trailer

Five Feet Apart Book Quotes

Stella Grant likes to be in control—even though her totally out of control lungs have sent her in and out of the hospital most of her life. At this point, what Stella needs to control most is keeping herself away from anyone or anything that might pass along an infection and jeopardize the possibility of a lung transplant. Six feet apart. No exceptions.

The only thing Will Newman wants to be in control of is getting out of this hospital. He couldn’t care less about his treatments or a fancy new clinical drug trial. Soon, he’ll turn eighteen and then he’ll be able to unplug all these machines and actually go see the world, not just its hospitals.

Will’s exactly what Stella needs to stay away from. If he so much as breathes on Stella she could lose her spot on the transplant list. Either one of them could die. The only way to stay alive is to stay apart. But suddenly six feet doesn’t feel like safety. It feels like punishment.

What if they could steal back just a little bit of the space their broken lungs have stolen from them? Would five feet apart really be so dangerous if it stops their hearts from breaking too?

the movie starred by
Haley Lu Richardson, Cole Sprouse, Moises Arias

the quotes from the book by writer
by Rachael Lippincott, Mikki Daughtry, Tobias Iaconis

Five Feet Apart Book Quotes

Five Feet Apart Book Quotes

Five Feet Apart Book Quotes

Five Feet Apart Book Quotes

Five Feet Apart Book Quotes

Five Feet Apart Book Quotes

Five Feet Apart Book Quotes

Five Feet Apart Book Quotes

Five Feet Apart Book Quotes
Five Feet Apart Quotes

Five Feet Apart Quotes 

“How long will I live my life afraid of what-ifs?”
― Rachael Lippincott, Five Feet Apart

“I’m tired of living without really living.”
― Rachael Lippincott, Five Feet Apart

“If I’m going to die, I’d like to actually live first.”
― Rachael Lippincott, Five Feet Apart

“If this year has taught me anything, it’s that grief can destroy a person.”
― Rachael Lippincott, Five Feet Apart

“I’m not going far. I’ll always be here. Just an inch away. I promise.”
― Rachael Lippincott, Five Feet Apart

“…I want to be fearless and free. It’s just life, Will. It’II be over before we know it.”
― Rachael Lippincott, Five Feet Apart

“I’m tired of living without really living. I’m tired of wanting things. We can’t have a lot of things. But we could have this.”
― Rachael Lippincott, Five Feet Apart

“I hope my life wasn’t for nothing,”
― Rachael Lippincott, Five Feet Apart

“Everyone in this world is breathing borrowed air.”
― Rachael Lippincott, Five Feet Apart

“…Don’t think about what you’ve lost. Think of how much you have to gain. Live, Stella.”
― Rachael Lippincott, Five Feet Apart

“She’s bossy.” “Nah, she’s a boss,”
― Rachael Lippincott, Five Feet Apart

“If this is all we get, then let’s take it. I want to be fearless and free,” she says, giving me a look, daring me. “It’s just life, Will. It’ll be over before we know it.”
― Rachael Lippincott, Five Feet Apart

“If I’m going to die, I’d like to actually live first. And then I’ll die.”
― Rachael Lippincott, Five Feet Apart

“It’s just life, Will. It’ll be over before we know it.”
― Rachael Lippincott, Five Feet Apart

“If I’m going to die, I’d like to actually live first. And then I’ll die”
― Rachael Lippincott, Five Feet Apart

WATCH THE TRAILER OF THE MOVIE Five Feet Apart

Top The Great Gatsby Movie Quotes 2013

Top The Great Gatsby Quotes  
Jay Gatsby is the title character of the 1925 F. Scott Fitzgerald novel The Great Gatsby. The fictional character, a millionaire and the owner of a luxurious mansion where extravagant parties are often hosted, is described by the novel’s narrator, Nick Carraway, as being “the single most hopeful person I’ve ever met”.

Top The Great Gatsby Quotes
The Great Gatsby Movie Quotes

Stars: Leonardo DiCaprio, Carey Mulligan, Joel Edgerton
The Great Gatsby is a 2013 romantic drama film based on F. Scott Fitzgerald’s 1925 novel of the same name. The film was co-written and directed by Baz Luhrmann and stars Leonardo DiCaprio as the eponymous Jay Gatsby, with Tobey Maguire, Carey Mulligan, Joel Edgerton, Isla Fisher, and Elizabeth Debicki.

The Great Gatsby Movie Quotes

The Great Gatsby Movie Quotes
The Great Gatsby Movie Quotes

The Great Gatsby Movie Quotes

The Great Gatsby Movie Quotes

The Great Gatsby Movie Quotes

The Great Gatsby Movie Quotes

The Great Gatsby Movie Quotes

The Great Gatsby Movie Quotes

The Great Gatsby Movie Quotes

Trailer

Nick Carraway: You can’t repeat the past.

Jay Gatsby: Can’t repeat the past?

Nick Carraway: No…

Jay Gatsby: Why, of course, you can… of course you can.

[last lines]

Nick Carraway: Gatsby believed in the green light, the orgastic future that year by year recedes before us. It eluded us then, but that’s no matter – tomorrow we will run faster, stretch out our arms farther… And one fine morning – So we beat on, boats against the current, borne back ceaselessly into the past.

[first lines]

Nick Carraway: In my younger and more vulnerable years, my father gave me some advice. “Always try to see the best in people,” he would say. As a consequence, I’m inclined to reserve all judgments. But even I have a limit.

Nick Carraway: Jay! They’re a rotten crowd. You’re worth the whole damn bunch put together.

Nick Carraway: [Voice-over] I was always glad I said that. It was the only compliment I ever paid him.

Jay Gatsby: I knew it was a great mistake for a man like me to fall in love…

Daisy Buchanan: I hope she’ll be a fool – that’s the best thing a girl can be in this world, a beautiful little fool.

186 of 189 found this interesting | Share this
Jordan Baker: Well, I don’t care. He gives large parties, and I like large parties – they’re so intimate. Small parties, there isn’t any privacy.

Jay Gatsby: It’s so sad because it’s so hard to make her understand. It’s so hard to make her understand. I’ve gotten all these things for her. I’ve gotten all these things for her and now she just… she just wants to run away.

Daisy Buchanan: All the bright precious things fade so fast… and they don’t come back.

Nick Carraway: [narrating] They were careless people, Tom and Daisy. They smashed up things and people, and then retreated back into their money and their vast carelessness.

Jay Gatsby: My life, old sport, my life… my life has got to be like this.

[Raises finger to follow shooting star]

Jay Gatsby: It’s got to keep going up.

[repeated line]

Jay Gatsby: Old sport.

Nick Carraway: Reserving judgments is a matter of infinite hope.

Jay Gatsby: I knew that when I kissed this girl, I would be forever wed to her.

Nick Carraway: His Smile was one of those rare smiles that you may come across four or five times in life. It seems to understand you and believes in you just as you would love to be understood and believed in.

Daisy Buchanan: [after a long pause] Well, I’m certainly glad to see you again.

Jay Gatsby: I-I’m certainly glad to see you, as well.

Tom Buchanan: Daisy, can’t you see who this guy is, with his house and his parties and his fancy clothes? He is just a front for Wolfsheim, a gangster, to get his claws into respectable folk like Walter Chase.

Jay Gatsby: The only respectable thing about you, old sport, is your money. Your money, that’s it. Now I’ve just as much as you. That means we’re equal.

Tom Buchanan: Oh, no. No. We’re different. I am. They are.

[points to Daisy]

Tom Buchanan: She is. We’re all different from you. You see, we were born different. It’s in our blood. And nothing that you do or say or steal… or dream up can ever change that. A girl like Daisy…

Jay Gatsby: [Knocks contents off bar-top & grabs Tom with a raised fist] You shut up! Shut up! You shut up! Shut up! Shut up!

Nick Carraway: [Voice-over] Gatsby looked, at that moment, as if he had… killed a man.

Nick Carraway: I expected him to be…

Jordan Baker: Old and fat?

Nick Carraway: Yes. Young men just don’t drift coolly out of nowhere and buy a palace on Long Island.

Daisy Buchanan: Open another window.

Nick Carraway: There aren’t anymore.

Daisy Buchanan: Then telephone for an axe.

Nick Carraway: I just remembered, today’s my birthday.

Tom Buchanan: Happy birthday.

Nick Carraway: [narrating now] Thirty. The promise of a decade of loneliness. The formidable stroke of 30 died away as Gatsby and Daisy drove on through the cooling twilight – towards death.

36 of 38 found this interesting | Share this
Jay Gatsby: If there’s anything that you want, just ask for it, old sport.

Daisy Buchanan: I wish we could just run away.

Jay Gatsby: Run away? No. Daisy, darling, that… that wouldn’t be respectable. We’re gonna live here, in this house. You and me.

Daisy Buchanan: Gatsby? What Gatsby?

Jay Gatsby: I never realized how extraordinary a nice girl could be.

Nick Carraway: Stocks reached record peaks, and Wall Street boomed a steady golden roar. The parties were bigger, the shows were broader, the buildings were higher, the morals were looser, and the ban on alcohol had backfired. Making the liquor cheaper. Wall Street was luring the young and ambitious, and I was one of them.

Jay Gatsby: If it wasn’t for the mist, we could see the green light.

Daisy Buchanan: What green light?

Jay Gatsby: The one that burns all night at the end of your dock.

Nick Carraway: [narrating] Possibly, it had occurred to Gatsby that the colossal significance of that light had vanished forever. Now it was once again just a green light on a dock and his count of enchanted objects had diminished by one.

Jay Gatsby: [while recklessly driving his yellow car] Look here, Old Sport. What… What is your opinion of me, anyhow?

Nick Carraway: My opinion?

Jay Gatsby: Yes! Yes, your opinion. I don’t want you to get the wrong impression from all these… from all these bizarre accusations you must be hearing. A pack of lies, I guarantee you. You’ve heard all the stories?

Nick Carraway: Oh, well…

Jay Gatsby: I will tell you God’s truth. God’s truth about myself. I am the son of some very wealthy people from the Middle West. Sadly, all of them are dead now. I was brought up in America but educated at Oxford because all my ancestors have been educated there for many years. You see, it’s a family tradition.

Nick Carraway: [narrating] The way he spoke! No wonder people thought he was lying.

Tom Buchanan: I’d rather not be the polo player.

Daisy Buchanan: I’ve been everywhere and seen everything and done everything. I’ve had a very bad time, Nicky. I’m pretty cynical about everything.

Nick Carraway: Ah. Your daughter, I suppose she talks and eats and everything?

Daisy Buchanan: Pammy? Oh, yes. Listen, Nick, when she was born, Tom was God knows where… with God knows whom. And I asked the nurse if it was a boy or girl. And she said it was a girl and I wept, “I’m glad it’s a girl. And I hope she’ll be a fool. That’s the best thing a girl in this world can be. A beautiful little fool.” All the bright precious things fade so fast. And they don’t come back.

Nick Carraway: I remember how we had all come to Gatsby’s and guessed at this corruption while he stood before us concealing and incorruptible dream…

Daisy Buchanan: [dancing with Gatsby] All my life. I wish it could always be like this.

Jay Gatsby: It will be.

Nick Carraway: [narrating] If only if it’d been enough for Gatsby just to hold Daisy. But he had a grand vision for his life and Daisy’s part in it.

Tom Buchanan: Life is something you dominate, Nick! If you’re any good.

Jordan Baker: See, I didn’t realize until the other night that I’d met Gatsby. Five years ago. In Louisville. It was the day I got my new English golf shoes. Daisy was by far the most popular girl with the officers from Camp Taylor. One of them was in the car with her. It was Gatsby. And the way he looked at her is the way all girls want to be looked at.

Meyer Wolfsheim: What a gentleman. From one of the finest families in the Midwest. Ah, sadly, all dead now. When I first made the pleasure of Mr. Gatsby’s acquaintance, just after the war, I knew I’d discovered a man of fine breeding. A war hero! Such medals! And an Oxford man. You know Oxford?

Nick Carraway: Yes, I’ve heard of it.

Meyer Wolfsheim: Then you would know that when it comes to married women, a man like this can be trusted. With a friend, with someone like you, he’d never so much as look at your wife.

Nick Carraway: It’s a strange coincidence.

Jordan Baker: What is?

Nick Carraway: The fact that Gatsby’s house is just across the bay.

Jordan Baker: It’s no coincidence. He bought that house to be near her. He threw all those parties, hoping she’d wander in one night. He constantly asked about Daisy. I was just the first person that knew her.

Nick Carraway: All that for a girl he hasn’t seen in five years.

Nick Carraway: [to Catherine who was giving him some pills/drugs] Oh no. My nerves are fine, thanks.

Jay Gatsby: [Daisy cries after Gatsby showers her with fancy shirts] What is it? Daisy, Daisy darling, what is it?

Daisy Buchanan: It… it makes me sad.

Jay Gatsby: Why?

Daisy Buchanan: Because…

Nick Carraway: [narrating] Five lost years struggled on Daisy’s lips, but all she could manage was…

Jay Gatsby: Why?

Daisy Buchanan: [laughs] Because I’ve never seen such beautiful shirts before.

Daisy Buchanan: [Daisy narrating letter] We can’t lose each other. And let all this glorious love end in nothing. Come home. I’ll be here waiting and hoping for every long dream of you to come true.

Tom Buchanan: Civilization is going to pieces! Have you read “The Rise of the Colored Empires” by this fellow, Goddard? Everybody ought to read it. The idea is it’s up to us, the dominant race, to watch out or these

[points to black servant]

Tom Buchanan: other races will have control of things.

Daisy Buchanan: Tom’s very profound lately. He reads deep books with long words in them.

Tom Buchanan: It’s been proved. It’s scientific.

Daisy Buchanan: We’ve got to beat them down.

Jay Gatsby: You see, I thought you ought to know something about my life. I didn’t want you to think I was… Well, I didn’t want you to think I was just some nobody.

Jordan Baker: It all makes sense. It all makes sense!

Nick Carraway: What makes sense?

Jordan Baker: Everything! Oh, but here I am tantalizing you when I swore I wouldn’t tell.

Nick Carraway: Just tell me.

Jordan Baker: Oh, Nick. I’m sorry, I swore. I swore I wouldn’t tell.

Nick Carraway: The city seen from the Queensboro Bridge is always the city seen for the first time. In its first wild promise of all the mystery and the beauty in the world. Anything can happen, now that we have slid over this bridge, I thought. Anything at all. Even Gatsby could happen.

Nick Carraway: Gatsby’s real name was James Gatz. His parents were dirt-poor farmers from North Dakota, but he never accepted them as his parents at all. In his own imagination, he was a son of God, destined for future glory.

Tom Buchanan: You know, a lot of these newly rich people are just filthy bootleggers?

Daisy Buchanan: Not Gatsby. He’s a businessman. He owned a lot of drugstores.

Tom Buchanan: [scoffs] Businessman!

Policeman: Pull over! Pull over to the curb!

Jay Gatsby: All right, Old Sport. All right.

[shows him his business card]

Policeman: Right, you are! I’ll know you next time, Mr. Gatsby.

Meyer Wolfsheim: Lookin’ at my tiepin? Finest specimen of human molar.

Meyer Wolfsheim: [to Nick] I understand you’re looking for a business connection.

Jay Gatsby: No! No, no. No. No. No. No. This isn’t the man, Meyer. Remember, this is the *friend* that I told you about.

Meyer Wolfsheim: Oh! Oh, I beg your pardon. I had the wrong man!

A Star Is Born (2018) Top Quotes and Trailer

Top Quotes  A Star Is Born (2018)

A Star Is Born (2018) Lady Gaga Top Quotes and Trailer

A Star Is Born is a 2018 American musical romantic drama film produced and directed by Bradley Cooper (in his directorial debut) and written by Eric Roth, Cooper, and Will Fetters. A remake of the 1937 film of the same name, it stars Cooper, Lady Gaga, Dave Chappelle, Andrew Dice Clay, and Sam Elliott, and follows a hard-drinking musician (Cooper) who discovers and falls in love with a young singer (Gaga). It marks the third remake of the original 1937 film, after 1954 musical and the 1976 musical. All four of the movies have been nominated for at least four Academy Awards.

Stars: Lady Gaga, Bradley Cooper, Sam Elliott

A Star Is Born (2018)  Top Quotes

A Star Is Born (2018)  Top Quotes

A Star Is Born (2018)  Top Quotes

A Star Is Born (2018)  Top Quotes

A Star Is Born (2018)  Top Quotes:

Bobby: Jack talked about how music is essentially twelve notes between any octave. Twelve notes and the octave repeats. It’s the same story told over and over, forever. All any artist can offer the world is how they see those twelve notes. That’s it. He loved how you see them.

Jack: Hey!

Ally: What?

Jack: I just wanted to take another look at you.

Jack: Could I ask you a personal question?

Ally: Okay?

Jack: Do you write songs or anything?

Ally: I don’t sing my own songs.

Jack: Why?

Ally: I just don’t feel comfortable.

Jack: Why wouldn’t you feel comfortable?

Ally: Because like almost every single person that I’ve come in contact with in the music industry has told me that my nose is too big and that I won’t make it.

Jack: That your nose is too big?

Ally: Yeah.

Jack: Your nose is beautiful. Are you showing me your nose right now?You don’t have to show it to me. I’ve been looking at it all night.

Ally: Oh, come on. No, you’re not.

Jack: Oh, I’m going to be thinking about your nose for a very long time.

Ally: You’re full of shit.

Jack: I’m not full of shit.

Ally: Yeah, you are.

Jack: I’m telling you the truth.

Ally: Yeah, you’re full of shit.

Jack: Look, talent comes everywhere. Everybody’s talented, fucking everyone in this bar is talented at one thing or another. But having something to say and a way to say it so that people listen to it, that’s a whole other bag. And unless you get out and you try to do it, you’ll never know. That’s just the truth. And there’s one reason we’re supposed to be here is to say something so people want to hear. Don’t you understand what I’m trying to tell you?

Ally: Yeah, I do. I don’t like it, but I understand it.

Jack: Oh, I think you like it a little bit.

George ‘Noodles’ Stone: You know it’s like, I dunno you… you float out… float out at sea then one day you find a port, say, ‘I’m gonna stay here a few days’. A few days becomes a few years. Then you forgot where you were going in the first place. Then you realize you don’t really give a shit about where you were going, cause you like where you at.

Jack: Can I touch your nose?

Ally: Oh, my gosh.

Jack: Let me just touch it for a second.

[He slides his finger down her nose]

Jack: You’re very lucky.

Ally: Oh, really?

Jack: M-hm.

Ally: Yeah, not really. My nose has not made me lucky.

Ally: I started writing this song the other day. Maybe that could work, like as a chorus or something.

[She gets up in front of Jackson and starts singing]

Ally: I’m off the deep end. Watch as I dive in. I never meet the ground. Crash through the surface, where they can’t hurt us. We’re far from the shallow now.

Jack: [singing] Maybe its time to let the old ways die.

Jack: Can I tell you a secret?

[Ally looks over to him]

Jack: I think you might be a songwriter. And don’t worry, I won’t tell anybody. But I’m not very good at keeping secrets.

Jack: If I don’t say this then I’ll never forgive myself.

Ally: What…

Jack: If you don’t dig deep into your fuckin’ soul you won’t have legs. I’m just telling you that. If you don’t tell the truth out there you’re fucked. All you got is you and what you have to say to people and they are listening right now and they are not going to be listening forever. Trust me. So you gotta grab it and you don’t apologize or worry about why they’re listening or how long they’re gonna be listening for. You just tell them what you want to say.

Ally: [singing] Tell me something, boy. Aren’t you tired trying to fill that void? Or do you need more? Ain’t it hard keeping it so hardcore?

Jack: Is that me?

Ally: That’s you.

Jack: Did you just write that now?

Ally: Yeah.

Jack: Pretty good.

George ‘Noodles’ Stone: You know, it’s like, I don’t know, you float out, float out at sea, and then one day you find a port, say, ‘I’m going to stay here a few days’. A few days becomes a few years. And then you forgot where you were going in the first place. And then you realize you don’t really give a shit about where you was going because you like where you’re at.

Jack: All you got to do is trust me. That’s all you got to do.

Bobby: If I was no good, why did you steal my fucking voice? Huh?

Jack: Cause you had nothing to fucking say.

Ally: You know, what I’d like is for my boyfriend to love me. Actually, for my husband to love me.

Jack: Yeah, who’s your fucking boyfriend? You got a boyfriend?

Ally: Yeah, I’ve got a boyfriend.

Jack: That hurts, calling me your fucking boyfriend.

Ally: You’re my boyfriend if you don’t treat me like your wife.

Ally: [sarcastically] Why don’t you have another drink? And we can just get fucking drunk until we fuckin’ disappear, okay? Hey! Do you got those pills in your pocket?

Jack: You’re just fuckin’ ugly, that’s all.

Ally: Hey, you got – I’m what?

Jack: You’re just fuckin’ ugly.

Ally: Get the fuck out! Get out! I said get out!

George ‘Noodles’ Stone: Maybe she’s a way out.

Cashier: [snaps a picture of Jack with her phone] I’m sorry. Had to.

Jack: It’s alright.

Ally: It’s not really alright, but…

Jack: Have a good one.

Bobby: All Dad ever did for you is make you his fucking drinking buddy.

Ally: I won’t do this again. I won’t come and find you. Next time you can clean up your own mess.

Jack: Thank you, by the way.

Ally: Thank you for what?

Jack: For giving me a home. This place never felt like home before.

[from trailer]

George ‘Noodles’ Stone: You know man, in the ol’ days, I always knew, like, you were going to do something, that you’d be alright. It’s the first time I’m worried about you.

Bobby: You think maybe he drinks a bit much? Sweetie, you have no idea.

4 of 4 found this interesting | Share this
Lorenzo: Actually, when I was in my 20s and 30s I was like a crooner. As a matter of fact, a lot of people thought I was better than Sinatra.

Rez Gavron: We have to change the color of your hair.

Ally: What’s wrong with my hair?

Rez Gavron: I’m thinking platinum…

Ally: I don’t want to be a fucking blonde.

Bobby: I think if we had a better band name we might have made it. Or maybe it was because we looked like a father-and-son duo.

Rez Gavron: We’re not exactly friends here. While you’ve been away we’ve been back here in serious triage trying to clean up your fucking mess. Barely finding our way through it. You almost single-handedly derailed her whole career, do you understand that? She’s never going to say this to you. She loves you too much.

Jack: [speaking to the crowd] There’s a friend of mine who came a long way to be here and she wrote a great song and I’d just like her to sing it. I think it’s pretty fucking good.

Rez Gavron: What you have right now goes way beyond just this. There are people who need to hear what you have to say musically. It’s not normal stuff. It’s really amazing what you’re doing. I think you have it all, I do. The question to you is, what do you want?

Jack: What do you want me to play?

Emerald: I don’t care. Just look at me while you do it.

Ramon: How you doin’, papo?

Jack: How am I doing? I’m doing all right if I can get a fucking drink.

Ally: Nobody ever asks you about you, huh?

Ramon: I could get used to this shit. You need to date more rock stars, baby girl, you know what I mean?

Rez Gavron: No drink?

Jack: No socks?

Vicky Cristina Barcelona (2008) Movie Quotes

Vicky Cristina Barcelona (2008) Quotes and Trailer

top movie quotes Vicky Cristina Barcelona

Sexually adventurous Cristina and her friend Vicky, who is bright but cautious, holiday in Barcelona where they meet the celebrated and wholly seductive painter, Juan Antonio. Vicky is not about to dive into a sexual adventure being committed to her forthcoming marriage. But Cristina is immediately captivated by Juan Antonio’s free spirit and his romantic allure is enhanced when she hears the delicious details of his divorce from fellow artist, the tempestuous Maria Elena>

we inculde the image quotes and also text quotes

top movie quotes Vicky Cristina Barcelona



top movie quotes Vicky Cristina Barcelona

top movie quotes Vicky Cristina Barcelona

top movie quotes Vicky Cristina Barcelona

top movie quotes Vicky Cristina Barcelona

top movie quotes Vicky Cristina Barcelona
top movie quotes Vicky Cristina Barcelona

top movie quotes Vicky Cristina Barcelona  animated gif

top movie quotes Vicky Cristina Barcelona  animated gif

top movie quotes Vicky Cristina Barcelona  animated gif

top movie quotes Vicky Cristina Barcelona  animated gif

movie quotes Vicky Cristina Barcelona  animated gif

t movie quotes Vicky Cristina Barcelona
t movie quotes Vicky Cristina Barcelona

t movie quotes Vicky Cristina Barcelona

t movie quotes Vicky Cristina Barcelona

t movie quotes Vicky Cristina Barcelona

t movie quotes Vicky Cristina Barcelona

t movie quotes Vicky Cristina Barcelona

t movie quotes Vicky Cristina Barcelona








Stars: Rebecca Hall, Scarlett Johansson, Javier Bardem

Juan Antonio: Maria Elena used to say that only unfulfilled love can be romantic.

Vicky Cristina Barcelona (2008) Movie Quotes

Juan Antonio: Why not? Life is short. Life is dull. Life is full of pain. And this is a chance for something special.

38 of 39 found this interesting | Share this
Vicky: So, uh, tell me why, why won’t your father publish his poems?

Juan Antonio: Well, because, ungh, he hates the world and that’s his way of getting back at them, to create beautiful works and then to deny them to the public, which I think it’s…

Vicky: My god.

Juan Antonio: Hmmm.

Vicky: Oh, what makes him so angry toward the human race?

Juan Antonio: Because after thousands of years of civilization they still haven’t learned to love.

Juan Antonio: American?

Cristina: I’m Cristina, and this is my friend Vicky.

Juan Antonio: What color are your eyes?

Cristina: Uh, they’re blue.

Juan Antonio: Well, I’d like to invite you both to come with me to Oviedo.

Vicky: To come where?

Juan Antonio: To Oviedo. For the weekend. We leave in one hour.

Cristina: What- Where is Oviedo?

Juan Antonio: A very short flight.

Vicky: By plane?

Juan Antonio: Mmm-hmm.

Cristina: What’s in Oviedo?

Juan Antonio: I go to see a sculpture, that is very inspiring to me. A very beautiful sculpture. You will love it.

Vicky: Oh, right. you’re asking us to fly to Oviedo and back.

Juan Antonio: Mmmm. No, we’ll spend the weekend. I mean, I’ll show you around the city, and we’ll eat well. We’ll drink good wine. We’ll make love.

Vicky: Yeah, who exactly is going to make love?

Juan Antonio: Hopefully, the three of us.

Maria Elena: You speak no Spanish?

Cristina: No ,I uh-uh studied Chinese.

Maria Elena: Chinese? Why?

Cristina: I thought it sounded pretty.

Maria Elena: Say something in Chinese.

Cristina: Me?

Maria Elena: Mm-hm.

Cristina: Um… ni hao ma?

Maria Elena: You think that sounds pretty?

Juan Antonio: We are meant for each other and not meant for each other. It’s a contradiction.

Juan Antonio: Well, now that the day’s almost over, is it reasonable of me to ask you if you’ll both join me in my room?

Vicky: Oh, come on, I thought we’d settled that.

Cristina: Vicky’s just trying to say that she’s engaged to be married, that’s all.

Juan Antonio: Great. Then these are her last days of freedom.

Vicky: No. Look, I’m not free. I’m committed. You know what my theory is? And when I drink, I get brutally frank. I think that you’re still hurting from the failure of your marriage to Maria Elena, and you’re trying to lose yourself in empty sex.

Juan Antonio: Empty sex? Do you have such a low opinion of yourself?

Maria Elena: You’re still searching for me in every woman.

Juan Antonio: That is not true, Maria Elena. I was in Oviedo some weeks ago with a woman who was the antithesis of you. An American, and something beautiful happened with her. So you’re mistaken.

Maria Elena: You’ll always seek to duplicate what we had. You know it.

Cristina: I’ll go to your room, but you have to seduce me.

Cristina: [Looking at a sculpture of Jesus] Are you very religious?

Juan Antonio: No, no, no, no, I’m not. The trick is to enjoy life, accepting it has no meaning whatsoever.

Cristina: No meaning? You don’t think that authentic love gives life meaning?

Juan Antonio: Yes, but love is so transient. Isn’t it? I was in love with a most incredible woman… and then in the end…

Vicky: Yes?

Juan Antonio: She put a knife into me.

Cristina: My God, that’s terrible!

Vicky: Well, maybe you did something to deserve it.

[first lines]

Narrator: Vicky and Cristina decided to spend the summer in Barcelona. Vicky was completing her master’s in Catalan Identity, which she had become interested in through her great affection for the architecture of Gaudí. Cristina, who spent the last six months writing, directing, and acting in a 12-minute film which she then hated, had just broken up with yet another boyfriend and longed for a change of scenery. Everything fell into place when a distant relative of Vicky’s family who lived in Barcelona offered to put both girls up for July and August. The two best friends had been close since college and shared the same tastes and opinions on most matters, yet when it came to the subject of love, it would be hard to find two more dissimilar viewpoints. Vicky had no tolerance for pain and no lust for combat. She was grounded and realistic. Her requirements in a man were seriousness and stability. She had become engaged to Doug because he was decent and successful and understood the beauty of commitment.

Vicky: [while talking on her cellphone to Doug] Yeah, I miss you, too.

Narrator: Cristina, on the other hand, expected something very different out of love. She had reluctantly accepted suffering as an inevitable component of deep passion, and was resigned to putting her feelings at risk. If you asked her what it was she was gambling her emotions on to win, she would not have been able to say. She knew what she didn’t want, however, and that was exactly what Vicky valued above all else.

[repeated line]

Juan Antonio: Speak English!

7 of 7 found this interesting | Share this
Juan Antonio: We were both sure that… our relation was perfect, but there was something missing. You know? Like, love requires such a perfect balance. It’s… like the human body. It may turn that you have all the vitamins and minerals, but if… there is minus a single, tiny ingredient… missing, like, like, like, like, ooh, like salt, for example… one dies.

Cristina: Salt?

[last lines]

Narrator: Vicky returned home to have her grand wedding to Doug. To the house they finally planned to settle in. And to lead the life she envisioned for herself, before that summer in Barcelona. Cristina continued searching… certain only, of what she didn’t want.

Narrator: During the conversation, an awkward moment occurred.

6 of 6 found this interesting | Share this
Cristina: If you don’t start undressing me soon this is going to turn into a panel discussion.

6 of 6 found this interesting | Share this
Vicky: Oh, God, look, I wouldn’t call our reluctance to leap at your sexual offer being over-analytical. If you would care to join us for some recognized form of social interaction, like a drink, then we’d be fine, but otherwise, I think you should try, you know, offering to some other table.

Juan Antonio: Mm-hm. What offended you about the offer? Surely not that I find you both beautiful and desirable.

Vicky: Offended me, no. It’s very amusing, galling, to be honest,

Judy: Vicky… you’re, you’re getting your master’s in something within…

Vicky: Yeah, my master’s in, uh, Catalan identity.

Judy: Ah well.

Mark: What do you plan on doing with that?

Vicky: Oh… God, I don’t know, uh, maybe teaching, maybe curating.

Judy: Well… you don’t have to do something, you know.But she’s marrying this wonderful man in the fall and all of her conflicts will be resolved when he makes her pregnant.

Cristina: Oh my God, this guy is so interesting.

Vicky: Interesting? Are you kidding? What’s so interesting? He wants to get us both into bed. You know, but, he’ll settle for either and, in this case, you.

Juan Antonio: When I saw you across the room at the art gallery, I noticed you have – beautiful lips. Very full, very sexual.

Cristina: Thank you.

Cristina: I can’t guarantee the love-making, because I happen to be very moody.

Juan Antonio: Let’s not negotiate like a contract. I came over here with no subterfuge and presented my best offer.

Cristina: Vicky, I’m a big girl, okay. If I want to sleep with him, I will. If not, I won’t.

Vicky: Christina, he’s a total stranger. This is impulsive, even for you. And, if I heard right, he was violent with his wife!

Cristina: Well, at least he’s not one of those factory-made zombies.

Cristina: This would be a great way to get to know him.

Vicky: No! It’s not! I’m not going to Oviedo with this – with this charmingly candid wife-beater. You find his aggressiveness attractive; but, I don’t.

Cristina: You got to admire his no bull shit approach.

Vicky: What are you talking about? It’s all bull shit!

Cristina: I am here to go to bed with you. You’re right. So, you’re pretty much home free, unless you – blow it.

Juan Antonio: Blow it?

Cristina: Yeah.

Juan Antonio: *Blow* it – you mean ruin the moment?

Cristina: Yeah.

Juan Antonio: How would I do that?

Cristina: I don’t know. It could be anything from some inane comment to wearing the wrong kind of shorts. Although, some how, by looking at you, I think you’re wearing the right kind of shorts.

Juan Antonio: What do you want in life besides a man with the right shorts?

Cristina: I don’t know. I know I’m not going to settle till I find what I’m looking for.

Juan Antonio: Which is – what?

Cristina: Something – I want someone, something different, something more, some sort of counterintuitive love.

Juan Antonio: Meaning?

Cristina: Meaning – I don’t know. I don’t know what I want. I only know what I don’t want.

Julio: What do you hear of Maria Elena?

Juan Antonio: Eh, Maria Elena. Maria Elena’s still living with the architect in Madrid.

Julio: That woman was the best. I still have erotic dreams about her, at my age.

Juan Antonio: She also loved you very much, Papa.

Juan Antonio: You also admire Spanish guitar, I hear?

Vicky: Yes! Yes, I love the guitar.

Juan Antonio: Would you like to go to hear some wonderful guitar tonight?

Vicky: Tonight? Well, it’s a little late and, you know, I’m a little wobbly from the wine.

Juan Antonio: You said you could hold your alcohol? Besides, we leave tomorrow.

Vicky: Okay, sure.

Vicky: You said you were looking at my face. Why?

Juan Antonio: Why were you looking at mine?

Vicky: Was I?

Juan Antonio: You probably saw my tears.

Vicky: Yeah. I’m a little out of control.

Juan Antonio: I was looking at your face because I find it very beautiful.

Vicky: You do?

Juan Antonio: Of course, I do. Of course, I do. And you know I do.

[kiss]

Juan Antonio: We never had a chance to say a proper goodbye.

Vicky: Oh, well, you could have called me.

Juan Antonio: I – yeah – I debated it. But, I didn’t think there was much point.

Vicky: Yeah, but, you never phoned. Not to say – anything. I mean, “thank you, it was fun.” You don’t make love to someone and then never call them unless you were greatly disappointed.

Juan Antonio: Quite the opposite. But, you have plans to marry and I thought it best to stop anything before it lead to a bad situation for everyone.

Vicky: Yeah, well, I’m only saying that we made love and you seemed to drop off the face of the earth. I mean, I realize these things don’t mean much to you.

Juan Antonio: To pursue matters would have only caused you anxiety and for me a disappointment.

Cristina: How long is she going to stay here?

Juan Antonio: Christina, I know – this is not what you had in mind.

Cristina: No.

Juan Antonio: But, she has to stay with us.

Cristina: I understand. I understand.

Juan Antonio: She has no one else.

Cristina: I understand. It’s only for a short time.

Juan Antonio: Yes, a few months, at most.

Cristina: She’s staying for a few months?

Maria Elena: I don’t trust her, Juan Antonio. Her eyes are not one color.

Maria Elena: Do you think she’ll be enough for you?

Juan Antonio: Well, she’s – she’s quite intelligent and she is a free thinker like you.

Maria Elena: Like me?

Juan Antonio: Yes.

Maria Elena: You’re still searching for me in every woman.

Maria Elena: You’ll always seek to duplicate what we had. You know it.

Maria Elena: I don’t like her for you! I don’t trust her! And you know I always have your best interests.

Juan Antonio: Well, not when you’re trying to kill me.

Maria Elena: Oh, that.

Juan Antonio: Yeah, that. That small detail. Yes.

Maria Elena: Of course I went through your luggage. The first night I was in the house, I didn’t trust you. I didn’t believe you were who you said you were. I wanted to know who was really sharing the bed of my ex-husband.

Cristina: What!

Maria Elena: Who knew what I would find there? How could I be sure that you were not going to hurt me. After all, I had thoughts of killing you.

Cristina: It’s so apparent to me that you and Juan Antonio are still in love – when I see you together.

Maria Elena: Our love, our love will last forever. It’s forever. But, it just doesn’t work. That’s why it will always be romantic. Because, it cannot be be complete.

Cristina: It can’t be complete because, you know, I’m getting in the way or, I don’t know, I feel like…

Maria Elena: Before you – before you we used to cause each other so much pain, so much suffering. Without you, all this would not be possible. You know why? Because you are the missing ingredient. You are like the tint, that added to the palate, makes the color beautiful.

Vicky: Let’s not get into one of those turgid, categorical, imperative arguments.

Maria Elena: I knew you would use us. I knew you would use us. And you used us. I knew it! I knew it! I knew it.

Vicky: You’re using me to rewrite your own history.

Juan Antonio: Judy Nash says you are having an unhappy life.

Vicky: Well, she’s talking about herself.

Juan Antonio: Maybe you will understand more about your own feelings once we’ve made love.

Vicky: Yeah or less.

Doug: I still don’t understand what your language teacher was doing with a gun?

Vicky: It was a passing thing. Now, it’s over.

The Fault in Our Stars (2014) Top gifs Quotes Images

The Fault in Our Stars (2014) TopImages gifs Quotes
Hazel and Augustus are two teenagers who share an acerbic wit, a disdain for the conventional, and a love that sweeps them on a journey. Their relationship is all the more miraculous, given that Hazel’s other constant companion is an oxygen tank, Gus jokes about his prosthetic leg, and they meet and fall in love at a cancer support group.

The Fault in Our Stars (2014) Top  gifs Quotes Images
The Fault in Our Stars (2014) Top  gifs Quotes Images

The Fault in Our Stars (2014) Top  gifs Quotes
The Fault in Our Stars (2014) Top  gifs Quotes

Crazy Rich Asians (2018) Best Quotes and Trailer

Crazy Rich Asians (2018) Best Quotes and Trailer

Stars: Constance Wu, Henry Golding and Michelle Yeoh

Crazy Rich Asians

Plot : The story follows native New Yorker Rachel Chu (Wu) as she accompanies her longtime boyfriend, Nick Young (Golding), to his best friend’s wedding in Singapore. Excited about visiting Asia for the first time but nervous about meeting Nick’s family, Rachel is unprepared to learn that Nick has neglected to mention a few key details about his life. It turns out that he is not only the scion of one of the country’s wealthiest families but also one of its most sought-after bachelors. Being on Nick’s arm puts a target on Rachel’s back, with jealous socialites and, worse, Nick’s own disapproving mother (Yeoh) taking aim. And it soon becomes clear that while money can’t buy love, it can definitely complicate things.



Nick Young: Rache, we’ve been dating for over a year now, and I think it’s about time people met my beautiful girlfriend. What about us taking an adventure East?
Rachel Chu: Like Queen?
Nick Young: Singapore, Colin’s wedding. Don’t you want to meet my family?

Rachel Chu: I hardly know anything about them. Every time I bring them up, Nick changes the subject.
Kerry Chu: Maybe his parents are poor and he has to send them money.

[at the airport; to Nick]
Airport Staff: They’ll take your bags and you can check into first class.

[referring to their first class flight]
Rachel Chu: Nick, we can’t afford this.

Rachel Chu: So your family is rich?
Nick Young: We’re comfortable.
Rachel Chu: That is exactly what a super rich person would say.

Goh Peik Lin: The Nick you’re dating is Nick Young?
Rachel Chu: Yeah, do you guys know him or something?
Goh Wye Mun: Hell, yeah. They’re just the biggest developers in all of Singapore.

[referring to Nick]
Goh Peik Lin: Damn, Rachel, he’s like an Asian Bachelor.

Rachel Chu: These people aren’t just rich, they’re crazy rich.
Rachel Chu: You know, you should have told me that you were like the Prince William of Asia.
Nick Young: That’s ridiculous. Much more of a Harry.
Nick Young: Mum, this is Rachel Chu.
[as Rachel goes to drink from the bowl of liquid that’s being offered to her
Nick Young: No, no, no. Those are for your fingers.
Eleanor Young: [to Rachel] I chose to raise a family. For me, it was a privilege. But for you, you may think it’s old-fashioned.

Rachel Chu: Don’t you want Nick to be happy?
Eleanor Young: I know you’re not what Nick needs.

Rachel Chu: [to Eleanor] If Nick chose me, he would lose his family. And if he chose his family, he might spend the rest of his life resenting you.

Goh Peik Lin: [to Rachel] She just think you’re some like unrefined banana. Yellow on the outside, and white on the inside.

Rachel Chu: She’s like trying to play a game of chicken with me, thinking I’m going to swerve like a chicken.
Goh Peik Lin: But you can’t swerve, you’re going to roll off and be like…
Rachel Chu: Bok-bok, bitch.
Goh Peik Lin: Okay, maybe like not as aggressive.

Nick Young: I met a girl, I fell in love and I want to marry her.
Colin Khoo: You’re Nicholas Young, you’re untouchable. But Rachel’s not.

Astrid Leong: [to Nick] Have you prepped to face the wolves?
Astrid Leong: [to Rachel] I really admire you. It take guts coming all the way over here, facing Nick’s family.

Eleanor Young: [to Rachel] I know this much, you will never be enough.

Oliver T’sien: [to Rachel] You know, it’s about time someone stood up to Auntie Eleanor. Well, you, not be. Oh, God. She can’t know I was over here.

Nick Young: [to Rachel] Ever since I can remember my family has been my whole life.

Goh Peik Lin: [to Rachel] You nasty. You’re kind of nasty. You got nastier.
What do you think of Crazy Rich Asians quotes? Let us know what you think in the comments below as we’d love to know.

The Mountain Between Us (2017) Top Quotes and Review

The Mountain Between Us (2017)

Stranded after a tragic plane crash, two strangers must forge a connection to survive the extreme elements of a remote snow covered mountain. When they realize help is not coming, they embark on a perilous journey across hundreds of miles of wilderness, pushing one another to endure and discovering strength they never knew possible. Written by Twentieth Century Fox

The Mountain Between Us (2017) Top Quotes

Ben Bass: Alex, can you look at me. You really hurt your leg. Your phone is smashed, my phone has no signal and we’re pretty high up on the mountain. We need to get help.

Alex Martin: [to Ben] We can go three weeks without food, three days without water, and three hours without shelter.

Alex Martin: [to Ben] Nobody knows where we are. We’re all we’ve got, me and you! That’s it.

Alex Martin: [to Ben] We might die together and I don’t even know you.

Ben Bass: If we stay here we’re safe. If we leave, search and rescue, they’re less likely to find us.
Alex Martin: Look, I don’t want to die up here because you’re too scared to take a risk. We have to do something.

Fifty Shades Darker (2017) Quotes and Trailer

Fifty Shades Darker (2017) Quotes and Trailer

While Christian wrestles with his inner demons, Anastasia must confront the anger and envy of the women who came before her.

Best Quotes

“This is me, Ana. All of me … and I’m all yours. What do I have to do to make you realize that? To make you see that I want you any way I can get you. That I love you.”

“I don’t know whether to worship at your feet or spank the living sh-t out of you.”

“Let me ask you something first. Do you want a regular vanilla relationship with no kinky f-ckery at all?”

“I’m anything but fine. I feel like the sun has set and not risen for five days, Ana. I’m in perpetual night here.”

“But I’m a selfish man. I’ve wanted you since you fell into my office. You are exquisite, honest, warm, strong, witty, beguilingly innocent; the list is endless. I’m in awe of you. I want you, and the thought of anyone else having you is like a knife twisting in my dark soul.”

“Sweet Jesus, you’re wearing stockings.”

“We’ve chased the dawn, Anastasia, now the dusk.”

“I’m not going to touch you until you say yes. But right now, after a really sh-tty morning, I want to bury myself in you and just forget everything but us.”

“I’m talking about the heavy sh-t, Anastasia. You should see what I can do with a cane or a cat.”

“I don’t care if you hit or miss, baby. I just want to see you like this — partially dressed, stretched out on the billiard table.”

“You are going to unman me, Ana … You — take me. Ana, touch me … please.”

“I’m a sadist, Ana. I like to whip little brown-haired girls like you because you all look like the crack whore — my birth mother.”

“I’m going to put this inside you ….”

“Nothing plain or old about vanilla — it’s a very intriguing flavor.”

“I think I died a thousand deaths, Ana. Someone threatening you … all my worst fears realized.”

Brooklyn (2015) Trailer and Top Movies Quotes

Brooklyn (2015) Trailer and Top Movies Quotes

An Irish immigrant lands in 1950s Brooklyn, where she quickly falls into a romance with a local. When her past catches up with her, however, she must choose between two countries and the lives that exist within.

Brooklyn 2015 best quotes

[last lines]
Eilis: [instructing new immigrant] You have to think like an American. You’ll feel so homesick that you’ll want to die, and there’s nothing you can do about it apart from endure it. But you will, and it won’t kill you. And one day the sun will come out – you might not even notice straight away, it’ll be that faint. And then you’ll catch yourself thinking about something or someone who has no connection with the past. Someone who’s only yours. And you’ll realize… that this is where your life is.

Eilis: You’ll feel so homesick that you’ll want to die, and there’s nothing you can do about it apart from endure it. But you will, and it won’t kill you… and one day the sun will come out and you’ll realize that this is where your life is.

Eilis: I wish that I could stop feeling that I want to be an Irish girl in Ireland.
Father Flood: Homesickness is like most sicknesses. It will pass.

Eilis: You remember that after I had dinner at your house, you told me that you loved me?
[Tony nods, sombre and nervous]
Eilis: Well, I didn’t really know what to say. But I know what to say now. I have thought about you and I like you, and I like seeing you, and maybe I feel the same way. So the next time you tell me you love me, if there is a next time, I’ll, I’ll say I love you too.
Tony: Are you serious?
Eilis: Yes.
Tony: Holy shit! Excuse my language, but I thought we were going to have a different kind of talk. You mean it?
Eilis: I mean it.

Eilis: I’d forgotten what this town is like. What were you planning to do, Miss Kelly? Keep me away from Jim? Stop me from going back to America? Perhaps you didn’t even know. Perhaps it was enough for you to know that you could ruin me. My name is Eilis Fiorello.

Tony: OK, so while you’re being amenable. Can we go see a movie this week? When you’re not at night classes?
Eilis: I’ll sign up for two movies.
Tony: Really?
Eilis: Yes. Even if the first date is a disaster, I’ll give it another chance.

Diner Waiter: I hope that when I go through the pearly gates, the first sound I hear is you asking me for the bill in that lovely Irish brogue.

Frankie Fiorello: So first of all I should say that we don’t like Irish people.
[General cries of outrage around the table]
Frankie Fiorello: We don’t! That is a well known fact! A big gang of Irish beat Maurizio up and he had to have stitches. And because he cops round here are Irish, nobody did anything about it.
Maurizio: There are probably two sides to it. I might have said something I shouldn’t, I can’t remember now. Anyway, they probably weren’t all Irish.
Frankie Fiorello: They just had red hair and big legs.

Georgina: Try and remember that sometimes it’s nice to meet people who don’t know your auntie.
6 of 6 found this interesting | Share this
Tony: Home is home.

Diana: It’s not politics, to talk about eye operations.
Mrs. Keogh: It is if the eyes belong to a politician.

Sheila: You need sunglasses. I read that if you don’t have them on the beach, this year people will talk about you.

Patty: There. That’s better. Now you don’t look like you’ve just come in from milking the cows.
Eilis: Is that what I looked like?
Patty: Just a bit. Nice clean cows. Let’s go.

Mrs. Keogh: I’ll tell you this much: I am going to ask Father Flood to preach a sermon on the dangers of giddiness. I now see that giddiness is the eighth deadly sin. A giddy girl is every bit as evil as a slothful man, and the noise she makes is a lot worse. Now, enough.

Patty: Do you have sunglasses?
Eilis: [Alarmed] No.
Sheila: You need sunglasses. I read that if you don’t have them on the beach this year people will talk about you.
Mrs. Keogh: [Witheringly] And what will they say, exactly, Sheila?
Dolores: That’s the thing, Mrs Kehoe. You’d never know, because they’d never say it to your face.

Mrs. Keogh: Diana’s right, though, Eilis. You need to think carefully about your costume. It’s the most Tony will ever have seen of you. You don’t want to put him off.

Georgina: [about their ship cabin] This is hell. Never again.
Eilis: Never again to America?
Georgina: The mistake was coming home.

Mrs. Keogh: Ellis, from the look of you, you have greasy skin, is that right? What do you do about that?
Eilis: Just… Well, I wash it, Mrs. Kehoe, with soap.
Miss McAdam: There is nothing wrong with soap. Soap was good enough for our Lord. I expect.
Mrs. Keogh: Well, which brand did he use, Miss McAdam? Does the Bible tell you that?

[first lines]
Eilis: Miss Kelly wants to talk to you later.
Mary Lacey: Not if what you’re going to say will cause trouble for me in some way or another.
Eilis: [sighs]

Sheila: Would I get married again? No, I want to be waiting outside the bathroom of my boarding-house forever.

Mrs. Keogh: I’ll thank you to keep His name out of a conversation about nylons, thank you very much. He might be everywhere, but He’s not in Bartocci’s on sale day.

Eilis: You’re the prettiest girl in County Wexford. You should be able to choose any man you want. And we’re hoping that George Sheridan from the rugby club looks your way.

Loving (2016) Trailer and Top Movie Quotes

Loving (2016) Trailer and Top Movie Quotes

The movie starts on a porch where a White man named Richard Loving (Joel Edgerton) is sitting on the porch with his Black girlfriend, Mildred (Ruth Negga). It is the mid 1950s in Virginia. They go off to a drag race which Richard moderates; both Black and White people are in attendance despite it being a period of segregation. Another day later, Richard lays down bricks since he works on building houses. Later, he takes Mildred to an empty field a few miles from where he lives. There is a squared off section of dirt and he asks her where she thinks the kitchen and bathroom should go. He tells her hes bought an acre of land and asks her to marry him.

The next time we see Mildred, she is pregnant. Richard convinces Mildred to drive with him to Washington, D.C. to have their marriage performed because its supposedly quicker but its really because Virginia is one of 24 states where interracial marriage is still illegal.

They return to town, married, and Richard works at an auto shop, keeping his marriage a secret. When he comes home to the house he lives in with his mother, she tells him that the sheriff is looking for him. When he asks, “What did he want?”, she responds, “To find you”. Richard nails his marriage certificate on his wall. That night, Mildred and Richard go to sleep together. The sheriff busts into the house, hoping to see them engaged in sex but instead they are just sleeping. The sheriff asks “What are you doing with that woman?” Mildred replies, “I’m his wife”. The racist sheriff tells her, “That’s no good here. You went out of town knowing your marriage wasn’t legal in Virginia.”

Richard and Mildred are taken to the local jail and kept in separate cells. He is released on bail the next morning but she is told she will have to stay there until they can see the judge on Monday, which is several days away. Richard is forbidden to speak to her so she is left alone in jail, pregnant. When Richard turns to his home, he immediately sets out to hire a lawyer. The one he meets with says they’ll be sentenced to one year in prison but this sentence can be suspended on the condition that they leave the state of Virginia for a minimum of 25 years. At home, Richards mom now tells him, “I told you not to marry that girl”. He responds, “I thought you liked her”. She replies, “I like hundreds of people.”

Mildred is finally released from jail and attends court with Richard and their lawyer. They both plead guilty. The judge says exactly as predicted they can avoid jail time only if they leave town. Privately, Richard and Mildred balk at this idea, both wanting to stay in the town that they grew up in and love. But they have no choice so they move to Washington, D.C. where they can live as an interracial couple.

Richard and Mildred try to adjust to the city life but it doesn’t suit them. They much prefer an area filled with grass and fields than buildings and concrete. Even though they try to make the best of it, Mildred notes that she always thought Richard’s mom would be the one to deliver their baby, as she does for many families. On this notion, Richard arranges for them to return to Virginia for his wife to give birth to his child. They drive into town and transfer Mildred into her brothers car midway. Richard stays low and then follows behind later. This way, they can show up in town separately because it is forbidden for them to be there together.

Mildred gives birth, with the assistance of Richard’s mom. The next day, Richard is outside and the police arrive, having been alerted to his return. They ask about Mildred but Richard says she’s not there. The police threatens to beat him into a pulp if he doesn’t retrieve her. Mildred hears from inside. She kisses her newborn baby and hands him over to her sister; she then comes out on the patio, revealing herself.

Now both Mildred and Richard are in jail again. They are worried about serving jail time for violating the court order. In court, their lawyer from before returns and even though he knew nothing of their plan claims that he had informed them that Mildred could give birth in Virginia and that they shouldn’t be faulted for his misinformation. Outside, they try to thank him for his deed but he just asks them not to come back. Obviously that lie will only work once.

Back in Washington D.C., time has passed and Mildred and Richard now have three kids two older boys and a young daughter. Mildred’s sister visits but mentions that she hates how far away they are. Mildred complains that there are no fields for the kids to play in, like when she was growing up in Virginia. Later, the kids are outside playing with the neighborhood kids but they are forced to do so amongst the busy traffic roads. One of her sons gets hit by a car; he is okay but it shakes Mildred up and now she want to return to Virginia and to the country life.

At first, the family stays in small apartments discretely Mildred and the kids arriving first and then Richard joining them later. Then they move in with Mildred’s family. Footage from the 1960s Civil Rights Movement is on TV. Mildred’s cousins convince her she needs to get them to help fight the miscegenation laws that make her marriage illegal and suggest she writes to Attorney General Robert Kennedy. She does.

Richard is up on a ladder, working on the house when he sees a car speeding through the fields towards him. Afraid hes been found out, he rushes off the ladder and tries to hide. But it is just Mildred’s brother. When Richard asks why he seemed so frantic to get there, Mildred’s brother replies that he always drives that fast. Richard admits to being paranoid.

Mildred receives a phone call and is told that the ACLU (American Civil Liberties Union) wants to take her case and help fight for her. She doesn’t quite understand but the woman on the other end tells her that Robert Kennedy forwarded a letter to them and they will provide her with a lawyer. When she says she cant afford a lawyer, the woman clarifies that the help would be provided free of charge.

The lawyer, Bernie Cohen (Nick Kroll) comes into town and sets up his practice in a temporarily vacated office, in a comical scene. Mildred and Richard arrive and he explains how he is going to fight for their marriage and that it could go all the way to the Supreme Court. Bernie points out that enough time has passed since their last court case. He suggests one possibility is they can get arrested again so they can appeal and take it to the courts adding that the ACLU would bail them out. Neither Mildred or Richard is thrilled about the idea of exposing themselves as having violated the court order. Now Richard is skeptical altogether. But Bernie says he’ll continue brainstorming ideas and Mildred retains her confidence in him.

Another lawyer working pro bono suggests to Bernie that they can reopen the case simply by asking the judge to set aside his original verdict and if he appeals, then they can take it to the Virginia Supreme Court of Appeals. Bernie does this and and as predicted, the judge refuses to change his mind, setting their case back in motion. Back at the Lovings home, the lawyer laughs because the judges ruling claims that Almighty God created the races white, black, yellow, malay and red, and he placed them on separate continents. And but for the interference with his arrangement there would be no cause for such marriages. The fact that he separated the races shows that he did not intend for the races to mix. He finds this is going to help their case in the U.S. Supreme Court since its a ruling not based on the Constitution in any way.

To get publicity for the case, the lawyer sends a reporter from Life Magazine (Michael Shannon) to take some pictures of the couple. He spends the day with them and photographs Richard and Mildred as they show affection for each other around the house and while watching television.

The Virginia Supreme Court also rules against Mildred and Richard which allows them to take the case to the U.S. Supreme Court. They are met with reporters afterwards and continue promoting their case. Back at their home, they ask the lawyer what angle can be used against them in the Supreme Court. Their lawyer admits that they’re going to use the children, with the opposition claiming that its unfair to bring biracial children into this world this is juxtaposed with all three of their kids running around, playing, happily.

The Lovings are not going to be present during the Supreme Court so Bernie asks Richard if he wants to make any statements. He simply says, “Tell the court I love my wife.”

Mildred gets a phone installed in the house shes staying at so she can receive calls in case any news comes in. Richard continues his work at a construction site, laying bricks. When he gets into his truck after work, he sees a brick wrapped in a magazine page the Life Magazine article on his marriage with a picture of Richard and Mildred watching TV. Richard looks around the site, paranoid at who knows about his family. A vehicle follows his truck so he speeds up and drives erratically to lose it. But when he gets home, he realizes he might have simply been paranoid since no car has followed him that far.

Time has passed. Mildred gets a phone call telling her the Supreme Court has struck down the country’s last segregation laws, unanimously. Mildred remains stoic and polite but beams at the news.

Now Richard is laying bricks again but this time on the house he was planning on building for Mildred and him in the beginning of the film. In Virginia, with their now family of five.

Over titles, we learn Richard died in a car accident just eight years later. Mildred died in 2008.

Quotes of Loving Movies

Richard Loving: [from trailer] Tell the judge I love my wife.
16 of 17 found this interesting | Share this